Town Poet Laureate Diane Lowman on The History of Everyday Poetry in Westport

A whole host of cultural illuminati have lived or worked in Westport for a time. Famously, F. Scott and Zelda Fitzgerald wrote, and Desi loved Lucy. More recently, Lynsey Addario and Justin Paul graduated from Staples High School and went on to do amazing things. We can lay claim to talented residents in myriad fields.

When the town graciously selected me as its first Poet Laureate, a question arose about which famous poetic forebears (I am decidedly not famous) might have lived or written in Westport. A subsequent search yielded surprisingly little. A rumour that I plan to research had it that Robert Frost may have alit here for a while, but that is as yet as unconfirmed as a Yeti sighting.

Never mind, I thought. What about everyday poets and poetry? Part of my mission as inaugural Poet Laureate of our hamlet is to make poetry less mysterious and inaccessible, and to create community through what we can all share through words. So I decided to dig a bit into Westport’s more quotidian poetic life. It turns out that we have a rich and quirky history of verse, created by many little-known, but homegrown, bards.

My research has been neither exhaustive nor scientific, but I have found a great deal of poetry in some unexpected places. The Westport Museum for History and Culture and the Westport Library both yielded quite a few surprising finds:

Autograph Books

Back in the day, graduating seniors would bring small autograph books to school prior to the end of the term, and get friends to sign them. We often do this now with big, heavy yearbooks, but these fragile pages in the Westport Museum’s archives hold sentimental and endearing gems within their bindings. 

Written poem by F.W. Dunn

In 1925, Marie Durner wrote: “When rocks & hills divide us/And you no more I see/Just think of the name ‘Midgie’/A school pal dear to thee”. F.W. Dunn philosophized: “When everything seems rotten/And the outlooks [sic] very bad/Just think of SHS/And then you’ll have to be glad”. And ‘Dint’ Maurer quipped: “Merrily we trot along/O’er the future ‘o path/But take heed! Don’t fall/For every fall means a step/Nearer to your grave.” 

Image Courtesy Westport Museum Collections

Christmas Cards

For some neither the brief “happy holidays” nor the more voluminous ‘our family’s year in words’ would do. When some Westporters sent holiday greetings, they did it in verse.  In 1946 Adelaide and Jack Baker wrote: “Far-flung adventures? None this year/Those who are building cannot roam/Shingles and brick and plumbers are/Elusive, so we stayed at home/And, as we made new homes for others/Found that our own was still more dear”. The Sanford Evans family sent this Christmas greeting in 1925: “Our chimney pots/Are good and big – and our/Yule-logs burn with cheer/For all that/We’re expecting – Are they/Big enough this year?” And in 1933 The Steinkraus Family put out Ye Westport Primer, with a seasonal abecedarius printed in red and green, beginning with “A is for artists you see all around;/This is the town where they do abound/ B is for the beach, a fine place to swim;/We loll on the sand to get vigor and vim”, and ending with “Z’s for the zassafrass in our backyard,/(You’ve got to admit that Z’s very hard.)” Christmas illustrations, including Santa in his reindeer-pulled sled flying across a red full moon, abound. 

Town Clerk

In the 1867-1886 volume “Births Marriages Deaths for Westport, a creative Town Clerk included some lovely verse in the blank spaces of the ledger where he recorded the quotidian events that made up our townsfolk’s lives. He harkens back to the eighteenth-century poet George Crabbe who had, a century earlier, also recorded the lives of his fellow villagers in rural England, and shares his words, perhaps to reflect his own emotions, on several pages of his recordings. One, from 1834 is an excerpt from Crabbe’s The Parish Register and, reads: “To Muse, I ask, before my view to bring/The humble actions of the swains I sing/How pass’d the youthful, how the old their days;/Who sank in sloth, and who aspired to praise/Their tempers, manners, morals, customs, arts/What parts they had, and how they employed their parts/By what elated, sooth’d, seduc’d, depressed/Full well I know the records give the rest.”

Gravestones

Poetry comes to us from beyond, or more precisely from, the grave in some cases. While most of the headstones in the numerous cemeteries around town provide the most basic information – names and dates – some loved ones memorialized those they lost with verse. While these poems may not have been penned by locals, they were placed by locals, where they have served to sprinkle lasting poetry around town. In Willowbrook cemetery, in a quiet corner overlooking Main Street, a stone book lies atop a large column memorial for Julia Snowdon Hotchkiss. Its open pages reveal an anonymous quote often referred to by revered rabbis: There is no death/What we call death/Is but surcease/From strife/They do not die/Whom we call dead/They go from life/To life. Antoine de Saint-Exupery’s words from The Little Prince grace Marla Seigel’s pink granite marker: “In one of the stars I shall be living/In one of them I shall be laughing/And so it will be as if all the stars were laughing/When you look at the sky at night.” Hilaire A. Roth rests beneath Robert Burns’ verse from his poem A Red, Red Rose: “So fair you were, my bonnie lass/So deep in love was I/And I will love thee still my dear/Till all the seas go dry.”  It surprised me to find so much poetry nestled amongst the much older and less crowded together, albeit virtually unreadable, headstones in the Greens Farms lower cemetery. Time, wind, water, and moss have erased or obscured much of the script, but some remains clear. For instance, Dorothy Z. Thompson’s family laid her to rest beneath the first lines from Walt Whitman’s A Clear Midnight: “This is thy hour O soul/To fly free among the stars/And ponder the themes/Thou lovest best.” Ghosts of poetic lines adorn, too, the headstones of Betsey Smith and Eliza Whitehead.

Local Authors

If it’s too chilly or muddy or buggy to tramp through local graveyards in search of bards’ words, head to the library and make your way downstairs to the poetry section where ‘local author’ stickers affixed to certain books’ bindings will lead you to homegrown balladry. Westporter Steven Herz composes paens to a painful time in his Marked: Poems of the Holocaust, and our town features prominently in Jonathan Towers’ Westport Poems. And although Regan Good may now reside in Brooklyn, her second collection of poetry, The Needle, harkens back largely to her childhood here in Westport. In the Westport Museum for History and Culture you will find a poem by Robert B. Northrop’s grandfather Robert DeWitt Allen dated March 30, 1900, describing a treacherous schooner trip up the Saugatuck. Captain Sam Allen piloted the Henry Remsen with a steady hand in this excerpt:

With all aboard and under way,/White water in her scuppers lay./Then stood her in around the bluff./He got her in near Eno’s dock,/But could not get by Judy’s rock./That night the wind came in nor’west,/But Sam just raved and could not rest.

— Robert DeWitt Allen

Sara Krasne, the Museum’s Archivist, reports that “Judy’s Rock probably refers to Judy’s Point which was originally called Judah’s Point after David Judah (the first Jewish person to live in Westport).”

Local Newspapers

A newspaper clipping of section reading: The Town Pump

Not far from the poetry section you will find several immense, heavy black leather-bound tomes, in no particular order, stacked on the bottom of one of the metal shelves. Open these to travel back in time to the mid-century past and thumb through the yellowing and fragile pages of Westport’s local newspapers. Features like “Pupil Patter”, “Poems by Pat”, and most prolifically, “Town Pump”, feature original verse by poetic locals.

You will also find news stories about local elementary school poetry competitions, observations of poetry month, and even a poetic letter to the editor of the Westport Town Crier and Herald (July 5, 1957). 

Poetry Box

One local resident in particular does her part to promote Everyday Poetry every day. Donna Ryzinski, who holds an MFA from Goddard College in Vermont, has for the last decade participated in a poetry reading group. Every other week these poetically inclined women congregate and recite a preselected poet’s verse. Each member, the oldest of whom is ninety-five, selects the featured poet and hosts the gathering on a rotating basis. But Ryzinski has taken this love of verse one step – or about three to be exact – further. Roughly that many paces off Sturges Highway in front of her home stands a small wooden box atop a matching post. Her husband fashioned this “best Christmas gift ever” from the door of an Upper West Side brownstone door. About the size of a large toaster oven, a front door of glass faces the street. Since 2015, she has placed a poem inside for all passers-by to stop and read. She prints off and changes the contents roughly once a week, and chooses from a wide variety of poets, as does her poetry reading group. The day I visited it featured a poem by local, well known poet Sophie Cabot Black. Ryzinski says that the poetry box brings her as much joy as she hopes it brings her visitors. She has witnessed two women scale a steep snowbank to access the verse within. One person approached with the reverence of a walking meditation and stood in tadasana (mountain pose) before accessing the words. A woman left tulips and a note: “Thank you for making my walks that much better”. And a gentleman stood in the driveway shouting, “I love this! Never stop doing this!” 

A wooden poetry box with a handle to open

It seems that while no wildly famous poets have made Westport their permanent home, many of their words have alighted here through our many poetry-loving residents. Moreover, many of them have created their own “words, words, words” (Hamlet, II.ii) of their own which, while may not have reached the audience of a Dickenson or Whitman, nonetheless imbue our little hamlet with the spirit of poetry. 

In my role as Westport’s inaugural Poet Laureate I hope  to tease out, encourage, and spread poetry around, knowing that it creates connection and community.  

Special thanks to Sara Krasne for her assistance in researching this article.

A Note From The Executive Director About Re-Opening

Like you, we thrive on the personal interaction that comes with a face to face museum experience. We love nothing more than sharing our passion for history—and bringing it to life—for our patrons from this community and beyond. As museums and cultural institutions around Connecticut are beginning to re-open our visitors have asked us: When will I be able to visit Westport Museum again?

The exciting news is that our Virtual Museum initiative—created to respond to COVID– has allowed us to focus on engaging the public in a way that we never have before, reaching thousands of people weekly and growing. The sad news is that we will be remaining closed—not because we want to, but because we have to.

Why?

The reasons are several:

 Even though our state has happily seen a decrease in COVID cases, our museum is housed in an antique building with small rooms and an aged HVAC system. While we follow strict guidelines for surface decontamination, mask and glove protocols, and staggered scheduling for staff working in the building, our space is without air filtration or the cross-ventilation needed to host more than one or two visitors at a time.

Another, equally pressing, reason to remain closed relates to the internal structure of the Bradley-Wheeler House in which the museum is maintained.  At the current time, there is a major structural failure in the center of the building that was left unaddressed for many years and exacerbated by aspects of the way the building was used. This failure was re-identified one year ago during a grant-funded building and collections assessment and we have spent the last twelve months working toward remediation. It will take will take a lot of time and a lot of financial resources to ultimately fix. We will be sharing more details about this soon.

Despite these developments we remain positive. While far from ideal, the COVID closure has allowed us to work under the guidance of professionals to fix both the structural failure and work to save collections and archives that had not been properly assessed, catalogued or preserved for many decades.

We are confident that once we are able to open the Museum to the public, we will do so with a house that is truly in order and prepared to receive guests in safety and security.

In the meantime, we look forward to continuing to engage with you in the virtual realm where it has been gratifying to see attendance—and excitement for our work—grow. Also, this summer: keep an eye out for small-group outdoor tours of historic sites around Westport, that we hope to add to our program offerings.

As always, we thank you for your continued support of Westport Museum for History & Culture and look forward to the day when we can meet again at the Bradley-Wheeler House.

Stay safe, stay well

Ramin Ganeshram

Executive Director

At This Crossroad of History, Which Path Will You Follow?

As modern historians, we try to examine history in a holistic way, looking at all sides, examining all perspectives. To do this, we use primary source information for fact-based story telling. Unlike in the past, where history was the story of the victors, we strive to present history in neutral terms presenting artifacts from an earlier time to objectively inform our decisions in the future.  

The recent protests over the murder of George Floyd–an unarmed Black father—by Minneapolis police has made it clear that in order to gain a truly holistic picture of the past we must now put neutrality aside.  

We must examine our failures in achieving a just and fair society both as a nation and in each and every town within that nation.  We must admit to these failures and to the fact that they have informed the times in which we live today—times that are too often unjust and inequitable especially for communities of color. 

Black Americans continue to have dramatically fewer educational, economic, housing and healthcare opportunities than their white counterparts.  According to the NAACP, although African Americans and Hispanics make up approximately 32% of the US population, they comprised 56% of all incarcerated people in 2015. The New York Times reports that data from Minneapolis indicates that the police force used brutality against Black people seven times more than it did for whites. It is a pattern that exists nationwide. 

In 1968, following a year of dramatic protest and unrest in the demand for Civil Rights, The Kerner Commission, empaneled by President Lyndon Johnson, noted the failure of the American system in its treatment of its Black Citizens.  The report clearly and unequivocally stated: 

 “Our nation is moving toward two societies, one black, one white—separate and unequal… What white Americans have never fully understood but what the Negro can never forget — is that white society is deeply implicated in the ghetto. White institutions created it, white institutions maintain it, and white society condones it.” 

These are not facts of a murky past. They continue to be rules of a playbook outlining the systemic and institutionalized racism that is an indelible stain upon the American Republic. 

We often invoke the lessons of history as a way to understand the present and future.  But as we work to engage the community we’ve learned a specific truth: It is the myth of “over there” and “back then” that provides covert shelter to the tree of injustice and sustenance to its poisoned fruit. 

It is not enough to simply present the facts that, in 1939, a health survey commissioned by the town of Westport said “housing of Negroes” was a disgrace contributing to “insanitary conditions” in the town.  It is more accurate to explain that this kind of pernicious bias is but one example of how institutionalized racism in the healthcare system has today resulted in Black Americans being disproportionately affected by the COVID-19 health crisis. 

It is not enough to tell you that, in the 1940s,  Westport’s RTM considered “Negro Housing” at 22 ½ Main Street an embarrassment to the town that was conveniently set ablaze by an arsonist in a conflagration to which the Westport Fire Department did not rapidly respond. The building was completely destroyed and its residents largely left Westport thereafter. It is more accurate to say this appalling history is the forefather of today’s ongoing battle in Westport to block fair, affordable housing opportunities for those considered “lower income”—a population that is disproportionately represented by people of color. 

It is not enough to provide evidence that programs like Project Concern and the Intercommunity Camp—1970s programs to offer the benefits of the Westport school system and town amenities to children of color from under-resourced neighboring towns—were bitterly fought by some Westport residents. Ultimately, the programs proceeded for several years because of the work of dedicated volunteers—many of whom where teenagers. But, it’s more historically accurate to identify the spirit behind the opposition as one of the many reasons why Black children in Westport Schools continue to face micro and overt aggression that prove psychological barriers of entry to the benefits of this “superior” educational system.  

The time has come to not just reveal these facts with the dispassion of an objective observer from many decades hence but to condemn them as unacceptable and incorrect. It is one way we may stand with those who protest injustice against the Black community and communities of color in America today. 

America is a nation born from civil disobedience. Protestors against unjust acts are the standard-bearers of this republic.  History proves this to be true. Colonial governors considered the Boston Massacre and the Boston Tea Party to be uncivil riots. Yet, we know and teach them as the first steps to freedom.  

More than the early actors of the American Revolution or the protestors of the 1960s, the justice warriors of 2020 represent a broad coalition of multi-ethnic Americans, including scholars, journalists, educators and historians. We understand that the events of our shameful collective history must be named in order to change.  This is true in every town and every state across the nation–including Westport.  

As historians, it is our obligation to use our considerable skill and knowledge for the side of right–in order to help rebuild this Republic into what it should have been from the start. We hope you will join us in this commitment by tuning in, and participating in our programming and sharing your own stories via our Oral History platform: Westport In Focus.  

We are at the crossroads of history and we are staring at the signposts above us. One points backwards down a horrible and untenable road. The other points to a better future down a path that is not smooth: It is  a path with twists and hairpin turns. It will, at times, double back and slow our progress.  Still, we must take that path, using the truth of history, fully, as a roadmap for the difficulties behind but also those ahead as we find a way forward. 

We hope you will join us on the journey.

Ramin Ganeshram, Executive Director 

Alicia D’Anna, Operations Director 

Nicole Carpenter, Director of Programs & Education 

Mariet Griffiths, Marketing Manager 

Kathy Nixon, Guest Services 

Catherine Graham, Museum Associate 

Cheryl Bliss, Chairperson 

Char Lukacs, Secretary 

Dannell Lyne, Treasurer 

Sara Krasne, Director 

Greg Porretta, Director 

Kimberly Wilson, Director 

Green’s Farms Church & the West Parish of Fairfield, 1711-1736

The establishment of the Congregational Church of America dates back to the founding of this nation with the arrival of religious dissenters from England to Massachusetts Bay Colony in 1620. Called Puritans in England — a derogatory term referring to their zeal for simplicity in church organization and worship — they believed each church should be organized with members who enter a covenant agreement and had the right to choose their own minister.

In the 1630s and 1640s, thousands of Puritans arrived in New England and flourished with the conviction that they were chosen by God to play a central role in the unfolding of this new land and human history at large. As such, churches and church leaders played an important role in shaping New England society. The organizational system of Congregational churches required mutual trust and personal commitment, yet this was not always a given. Voting in Massachusetts was limited to individuals who had been formally admitted to the church after a detailed interrogation of their religious views and experiences. Thomas Hooker disagreed with the limitation of suffrage in the Massachusetts Colony and in 1636, led one hundred followers to found Hartford. After 1636, freeman (eligible voter) settlements were formed throughout Connecticut.

In 1639, Roger Ludlowe and a group of settlers from Windsor came to modern day Fairfield and formed The First Church of Fairfield. By 1644, Fairfield was the fourth largest town among the colony’s nine towns and extended from Stratford to Norwalk. As populations grew and church attendance was mandatory, groups began campaigning for the right to establish their own parishes.  In 1708, the Bankside farmers, Thomas Newton, John Green, Henry Gray, Daniel Frost and Francis Andrews started their petition to form the West Parish of Fairfield, which is the modern day Green’s Farm Church in Westport.

Dive in and learn more about the history of Westport, the quintessential New England town

Bankside Farmers, 1648-1711

When Connecticut was a British colony, the area east of the Saugatuck River to the border of Fairfield and west of the Mill River was known as Green’s Farms. Thomas Newton, John Green and Henry Gray were given a land grant to settle the area in 1648 with Daniel Frost and Francis Andrews joining them within a few years. The group later became known as the Bankside Farmers. In subsequent generations, others like Joshua Jennings possessed landholdings encompassing a large parcel of Green’s Farms. 

Settlers cultivated the rich soil of Greens Farms initially for their own subsistence and later for commercial profit. Positioned on the Long Island Sound, Green’s Farms was also a seafaring community which tapped into the export trade. Flax was grown for linen, and corn–also known by the Native name maize–was grown for the settlers’ families, their cattle, and for export to the Caribbean where it was used to feed enslaved people. 

Food was also harvested from the sea and fish, clams, and oysters were part of the bounty. Fish and lobsters were so plentiful they were also used for fertilizer. 

Dive in and learn more about the history of Westport, the quintessential New England town